Death and all his friends

Okay, so I wrote this blog for another blog (for one of my classes) but I really like it and want to save it. So forgive my recycling. Basically, this is about the book White Noise (which is fantastic - read it) and how the main character thinks about history. We could only site three passages and were limited to how many of those passages could be directly about history or death. Anyway, I had fun writing this and I'm too lazy to write anything new right now :P

This is going to be a bit tricky, summing up Jack Gladney’s understanding of history without referring to any other passages in the book, as I think I’ve developed an obsession for Delillo’s way with worlds, but I’ll give it my best.

Jack has a curious approach to history – yet one that is seems pretty familiar at second glance. He and his son, Heinrich, have a conversation that alludes to his view of history while the two of them are discussing Tommy Roy Foster, the man Heinrich plays chess by mail with and criminal who killed six people in Iron City.

“‘He says if he had to do it all over again, he wouldn’t do it as an ordinary murder, he’d do it as an assassination.’

‘He would select more carefully, kill one famous person, get noticed, make it stick.’

‘He knows he won’t go down in history.’

‘Neither will I.’

‘But you’ve got Hitler.’

‘Yes, I have, haven’t I?’” (45)

This passage shows two basic ways Jack sees history – making it (in this case, killing people, though even that may not be enough for Tommy Roy Foster to be considered important) or studying it, as Jack does; with this we’re back to our first blog post, caught between Ranke and Sam Byck’s methods. This passage also echoes the urge of being remembered, of wanting history to keep note of what happened, even if it is something terrible, as in murder. Like Loughner, Sam Byck and others, Tommy fears being forgotten – a sentiment Jack himself can understand. But as Heinrich reminds him, he has Hitler to fall back on, something to cling to and perhaps, through his creation of Hitler studies, be remembered for his work.

Jack mentions more of his association with Hitler, this time in a conversation with Denise, Babette’s daughter about the Third Reich. 

“‘They lost the war,” she said. “How great could they be?’

‘A valid point. But it’s not a question of greatness. It’s not a question of good and evil. I don’t know what it is. Look at it this way. Some people always wear a favorite color. Some people carry a gun. Some people put on a uniform and feel bigger, stronger, safer. It’s in this area that my obsessions dwell.’" (63)

Jack admits that his study of Hitler is more than just work; it’s an obsession. Connected to this obsession is the idea of belonging to something bigger than oneself – to feel “bigger, stronger, safer” as Jack says. Jack also admits that he doesn’t quite understand why things are this way. Through a simple, basic way of explaining this to Denise, he also works to convince the reader of this stance – that there is something prevalent in history with groups that bond together, whether for better or for worse – in revolutions, in political parties, and (in more current situations) the Tea party. 

Interconnected with his Hitler obsession seems to lie another obsession – death. Jack mentions it repeatedly and towards the end of the chapter, he ruminates on it once again.

“When I read obituaries, I always note the age of the deceased. Automatically I relate this figure to my own age. Four years to go, I think. Nine more years. Two more years and I’m dead. The power of numbers is never more evident than when we use them to speculate on the times of our dying.” (98)

Though he is dealing with small, local histories, reading the obituaries of people from his town, Jack is heavily impacted by this, especially as he has a fear of death, notably dying alone. He also effectively impacts the reader in a personal way, playing off of the idea of running out of time. He and Heinrich discussed this before with Tommy, and now Jack seems to be feeling it himself – he could be dead in two years. Numbers indeed do gain more power in that aspect. This certainly made me think about how I feel about my age. I always cringe a bit when I tell people that I don’t have a boyfriend, have never had a boyfriend and thus feel like I am subtly being judged. My grandmother, who was married by my age, already fears I have become a spinster. Though I’m only twenty (or already twenty, depending on your mindset) there’s already pressure that I’ve missed some specific opportunities in my life and that, as the saying goes, “I’m not getting any younger.” Through fear of missing out on opportunities (like relationships and so on) is there a fear of death? Kind of seems like it, from Jack’s way of thinking.

Life is short, time is running out – all of these common sentiments play into Jack’s worries and these powerful ideas powerfully sway the reader to understand where he is coming from. He worries about death and dying alone, which references his obsession with Hitler and bonding together into a greater entity… which involves more death. And once more, history is focused on dead people and dying. Yay.