As I Lay Dying

I finished reading Faulkner's As I Lay Dying yesterday, while sitting in this little study hall/ cafeteria that reminds me of my father's alma mater. I got this cool, intellectual feeling sitting there, letting Faulkner's prose flow over me, and began thinking about how much death has come up in my thoughts this month. I don't mean to be overly morbid, but it HAS been a common theme. For one, I'm writing a book about people who can't die. You can see how it would be a common musing. For another, it's the month of All Hallow's Eve and growing closer to Dìa de los Muertos - Day of the Dead. Again, a common theme. Also, people I admire keep dying. And it's terribly depressing.

First it was Steve Jobs (I think I'm still grieving about that, actually. Is that weird? Probably, yes...). And then this weekend during an Indy race, English driver Dan Wheldon died in an accident. This might surprised you that I am a racing fan (only the Indy Series; my parents and I watched NASCAR when I was younger because we used to live in Columbus, IN where Tony Stewart is from, but I don't like NASCAR much. For various reasons that aren't important right now). My fav driver in the series is Dario Franchitti, but I really like Wheldon too - he seemed like such nice, friendly guy. Something I love about the Indy Series over NASCAR is that they seem better able to keep their cool and less... I don't know, Hollywood. They seem more down to earth. And I really respect people like Wheldon who can drive a car like that and be really damn good at it. It's just so sad how he died - something about racing accidents just haunt me. Well, car accidents in general, but especially racing ones. I remember seeing Dale Earnheardt's fatal wreck on TV when I was 10 - it was one of the first NASCAR races I watched too. There's something scarring and terrible about seeing such a terrible wreck on TV with your own eyes, then finding out later that you witnessed a fatal accident. I can't imagine what it was like to actually be at the track... that sort of thing would haunt me for a long time.

And to continue this parade of macabre, my college band is playing a Bach piece titled, "Come Sweet Death." To really get us into the mood of the piece (I think I've got the mood down enough, thank you very much) our director had us rehearse it once with the light dimmed. It was totally eerie and chilling, even if we as a group didn't sound as good as this choir. It's just... grim. I mean, it's more about life after death than just death... but still,  it's a momento mori - a reminder of that death is inevitable.

And because I'm a freak, I get reminded of Captain Jack Harkness every time I play this song (okay, if you want to get to the real passion of a piece about seeking release from pain and looking for solace in the afterlife, but is still a really dark, angst-ridden, tormented song, what better way to illustrate this than our dear Torchwood leader who can't ever die. Even after being blown up - yeah, just saw that in season 3. Holy shit, dude. Holy shit). And to top it all off, I had NO IDEA that Owen and Tosh were going to die at the end of Season 2 and now I'm all pissed off about that and THEN Wikipedia ruined the end of season 3 for me by telling me that Ianto dies and now I just want to crawl in a hole because I freaking love Ianto AND WHAT THE HELL, TORCHWOOD WRITERS WHY ARE YOU KILLING EVERYONE?!

Look, I take my sci-fi TV very seriously, apparently (I got really into Buffy freshman year. I mean, I had a dream that [mind ninja] and I were killing vampires. It was terrifying) and I'm terribly saddened that Ianto is going to die within the next three episodes. And it's just another reminder of our eventual lack of control, that we can't help the fact that we die. And it is terribly, terribly hard to deal with. Nay, impossible.

Yet, somehow, Faulkner makes me feel better. Not that he is comforting - he's really not, with his gritty, complex, grim ideas. But he's honest. And I like that. He doesn't always make complete sense. But neither does life. He wonderfully captures the difficulties of living, of dying, of grieving. And somehow, he makes it sort of beautiful. The same way Bach does with his tragic piece. The way momento moris are - great and terrible and beautiful. I guess what I like about all these things is that they articulate the mystery - the unknown. The fact that we don't know why things happen the way they do, why death is a necessary part of life, why it is so hard to deal with, why we think about death while other creatures don't, why accidents happen, why people like Wheldon and Jobs die too soon. We just don't know. And there's something comforting to know that we as individuals are not the only ones who think about this; it's a sort of strange way of uniting us socially, to know that we worry about the same things, that we are not completely alone. Perhaps thinking about death is important, a way of reminding us that time is limited, that people are important in our lives. Maybe I'm not really being morbid. Maybe I'm just being human.